In Coralie Fargeat's brand-new feminist terror film The Substance, hazardous social appeal specifications are the true monsters. They (female objectification, the fingertip of "the outdated," the spreading of a business built on body customization) nourish a creature of a cycle that leads Demi Moore's fading television individuality character Elisabeth https://stanfordmovieblog.blogofoto.com/61208794/margaret-qualley-in-the-substance-2024